Voting for the 48th Annie Awards ends April 9 at midnight, and out of 31 award categories, DreamWorks Animation has been nominated in nine, with 16 nominations in total. On the feature side, both their recent CG animated comedies, Croods: A New Age and Trolls World Tour, are in consideration, as well as their Taylor Meacham’s heartwarming short, To: Gerard.
DreamWorks has also received nominations for five fan-favorite TV series: Tales of Arcadia: Wizards, Jurassic World: Camp Cretaceous, Fast & Furious: Spy Racers, She-Ra and the Princesses of Power, and Archibald’s Next Big Thing.
Links to AWN’s recent coverage of these five shows is provided below. But we’ve also provided a more extensive breakdown of the Croods: A New Age, Trolls World Tour, and To: Gerard, spotlighting key areas of the studio’s great work. A hearty congratulations to all the nominations – and don’t miss the Annie Awards when they stream live on April 16.
DreamWorks Animation TV Series Nominees
Tales of Arcadia: Wizards: The third installment of Oscar-winning writer, producer, and director Guillermo del Toro’s magical trilogy, Wizards is in the running for the show’s sixth and seventh Annie Award for Best Voice Acting by David Bradley, the voice of main protagonist Douxie’s mentor, Merlin, and Best FX for TV/Media. Read the full FX breakdown article here.
Jurassic World: Camp Cretaceous: Whether its dramatic water splashes, dino drool, or bioluminescent beasts, DreamWorks Animation and Netflix’s adventure series, nominated for a Best FX for TV/Media Annie Award, strives for realistic visual effects that push the story forward through color and lighting. Read the full article here.
Fast & Furious: Spy Racers: Smoking wheels and burning rubber barely scratch the visual effects surface of DreamWorks Animation and Netflix’s high-horsepower street racing thriller, nominated for a Best FX for TV/Media Annie Award for the third season ‘Sirocco Fire Explosion’ finale. Read the full article here.
She-Ra and the Princesses of Power: Nominated for two Annie Awards, Noelle Stevenson and DreamWorks Animation’s hit series may have ended its five-season Netflix run, but it’s unflinching support for lifestyle diversity, and message that love and friendship will conquer the fear of failure, will continue to positively impact audiences well into the future. Read the full article here.
Archibald’s Next Big Thing: With an Annie Award nomination for the ‘Baritone Tea Part 1’ episode, artist Ben McLaughlin discusses how a brave, sweater-clad chicken’s unending optimism helped him board one wild, epic musical adventure. Read the full article here.
DreamWorks Animation Feature and Short Film Nominees
The Croods: A New Age
Seven years after The Croods was first released in theaters and the initial sequel pitch was first greenlit, The Croods: A New Age finally made its way to the big screen in 2020. Enduring three reschedules, a production halt, a production restart, and a pandemic to top it all off, director Joel Crawford and his team of effects creators, character designers, storyboard artists and Oscar-winning voice actors are getting their dues with five Annie Awards nominations.
As Eep and Guy, in their new romance, have trouble settling into the old family dynamic with Grug, Ugga, Guy, Thunk, and Gran Crood, the paleolithic pack also faces the challenge of new neighbors. The Bettermans, a family from Guy’s past, have clean clothes, showers, an abundance of food and, best of all, windows. But the newfound paradise isn’t as nice as it appears.
In The Croods: A New Age, there are even more fantastical visual effects, from giant fruit splatters and volcanic rock-n-roll battles, to exploring winged forests and spider wolf ice caves. Character animation has also lent a softer, more vibrant, and detailed look to the Croods family as they adventure in a bigger, brighter world like they’ve never seen before.
“When I approached this movie, I wanted it to feel like a celebration that the Croods are back,” said Crawford. “I wanted there to be a joy. And right now, with where the world is, having a big comedy about families who are different on their surface, but come together and realize their future is brighter together, that’s what I want people to come away with. That there’s a positivity in this movie. Not only that, but I also want people to laugh. Laugh with their friends, laugh with their family…that to me would be great, just to have people laugh and have fun when they watch the film.”
- Best Feature
- Best FX for Feature
- Best Character Design – Feature (DreamWorks Animation – Joe Pitt)
- Best Storyboarding – Feature (DreamWorks Animation – Evon Freeman)
- Best Voice Acting – Feature (DreamWorks Animation – Nicolas Cage [Grug])
Trolls World Tour
As one of DreamWorks Animation’s most successful franchises, the glittery and glamorous Trolls includes two feature films – Trolls and Trolls World Tour – and two TV series – Trolls: The Beat Goes On! with eight seasons and TrollsTopia with two. Plus, a television special, Trolls Holiday.
In the sequel to the 2016 musical adventure, Trolls World Tour revisits preppy pink troll Poppy and her right-hand-man Branch, who have discovered their forest is only one of six musically inspired and fiber-based Troll worlds. Each tribe is devoted to a different musical genre: funk, country, techno, classical, pop, and rock. From the underwater universe of the Troll-maidens to the quilted deserts of the western country Trolls, Poppy and Branch must tour each Trolls world to stop the Rock Trolls’ Queen Barb from demolishing all other forms of music by stealing musical strings from each of the other tribes.
Matching the first film’s Annie Awards nominations, included Outstanding Achievements in voice acting, character design, storyboarding, and production design, Trolls World Tour ups the ante with nominations for Best Feature and Best FX for Feature, which comes as no surprise considering the exciting new landscapes explored in the film as well as the story’s focus on celebrating diversity.
“We look at this as it’s the collective that told this story,” says producer Gina Shay. “We listened to so many people’s voices on this film. People would come and talk to us and say, ‘You know what? There’s something about this character design that makes me feel a little uncomfortable,’ and then we would change it. And so, it felt right. Everybody felt like we were all holding hands together and going forward with telling the story in the most responsible way.”
- Best Feature
- Best FX for Feature
The 7-minute CG short, nominated for Best Production Design and Best Editorial, tells the story of a post-office worker named Gerard who longs to fulfill his childhood dream of becoming a famous magician. Practicing with a treasured coin from The Great Vivonti, Gerard spends each day working to expand his dexterity and improve his sleight-of-hand. One day, a young girl named Jules wanders into the post office and happens upon one of Gerard’s practice sessions. As Gerard entertains the child with tricks and talents, he sets off a chain reaction, intertwining two artists separated by decades.
To: Gerard is not only a story of magic, but a love letter to director Taylor Meacham’s father, combining his love for animation and the art of illusion.
“The film also evokes my love for my father, who’s been a huge inspiration in my life,” he says. “And as we have both gotten older, I’ve seen that he couldn’t really afford to follow his own dreams, despite being someone who’s constantly been an advocate for me. So that’s where these two ideas come together. Out came a script and that’s what you get to see.”
In developing the short’s look, production designer Raymond Zibach expanded on Meacham’s desire to incorporate art deco into the location design, from the conveyer belt arrangements and metal inlays in Gerard’s postal floor to the design of the tubes that carry mail throughout the room.
“I had a bunch of random design ideas, one of which was art deco, because I wanted there to be this antique feeling to the post office,” Meacham explains. “That set the initial foundation for the set piece of the post office, but really, the design of the world.”
- Best Production Design – TV/Media (DreamWorks Animation – Raymond Zibach)
- Best Editorial – TV/Media (DreamWorks Animation – James Ryan)
The deadline to cast or change Annie Awards ballots is 11:59 p.m. on Friday, April 9.