First, start with wedges Pimentel says that discussions on Molten Man began with the director and overall visual effects supervisor Janek Sirrs. “The initial brief was to have Molten Man not necessarily be a ‘man,’ but be a creature, more of a creature-like character,” said
The Lupin III franchise has been evolving for half a century, outgrowing its manga origins to encompass anime films and series, videogames, and even stage musicals — but never a computer-animated feature. That’s set to change. The first trailer for Lupin III: The First, released
Katsuhiro Otomo doesn’t make films very often, so when he announces a new one, it counts as an event. Following the epochal Akira (1988) and Steamboy (2004), the manga master-turned-anime auteur is at work on his third feature, Orbital Era, which he will write, design,
Step 1. Using concept art and the voice actor as leaping off points Imageworks launched into modeling Pawny after firstly consulting production concept art. “One concept that really resonated with everybody,” outlined animation supervisor Craig McPherson, “was Pawny as this kind of battle-weary bullfrog, a
Super spy Lance Sterling (Will Smith) and scientist Walter Beckett (Tom Holland) are almost exact opposites. Lance is smooth, suave and debonair. Walter is … not. But when events take an unexpected turn, this unlikely duo are forced to team up for the ultimate mission
The Academy of Motion Picture Arts & Sciences, the organization that hands out the Oscars, invited 842 artists, filmmakers, and executives to join its organization today. Among the Academy’s 17 branches, there are two related to Cartoon Brew’s areas of coverage: the Short Films &
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Dougherty recently told the Los Angeles Times that, “The key to any good creature design is always the silhouette. You should always be able to recognize your creature strictly from the silhouette, without having to rely on any extra details.” From concepts and into previs
Cartoon Brew recently spoke with Antín about the movie’s unique stylistic references, the complications of international co-productions, and why he originally wanted to make Pachamama as a stop motion feature. Cartoon Brew: Where did your interest to make an animated feature centered on indigenous iconography
In the end, “Game of Thrones with mice” wasn’t a strong enough pitch for Disney’s top brass. Mouse Guard, an animated fantasy epic set in a world of anthropomorphic rodents, had been in development at Fox for around a year when the company merged with